Verboten StageONE Art Basel

Art Department is the brainchild of Canadian techno/house Legend Kenny Glasgow and Canada's fastest rising star and No.19 label owner - Jonny White. As individuals both Kenny and Jonny have released countless critically acclaimed records and are regarded internationally as two of the most forward thinking, relevant underground producers out of North America. Kenny's credentials date back to the late 80's and include productions on Narcotic, Jinxx, his own Method 11/11 label and Turbo. Whilst White's revered No.19 Music label alongside a blindingly fast - growing discography have seen him rapidly rise to the forefront of the international scene.


Considering his meteoric rise to fame, it would be easy to stereotype Black Coffee as just another black diamond, a BEE beat magnet out to mine the insatiable upwardly mobile urban house party market. But as he proved on his South African Music Award-winning album Home Brewed, this DJ and producer defies convention. Sidestepping Afro-house clichés and stage-managed highs in favour of restrained sophistication, Black Coffee's penchant is for true Afropolitan house: home-brewed but trendsetting and future-focused. Expect almost sculptural balance and beauty.

If one heard a clamour and ululating emanating from the eastern provinces of South Africa, KwaZulu Natal and the Eastern Cape, announcing the recognition of a cultural phenomenon.. and their role in the development of this cultural phenomenon.. one could not argue were that clamour and ululating to be in respect of one.. that is the soul, spirit, talent and vision of Nkosinathi Innocent Maphumulo, one most known as "Black Coffee".

Black Coffee was born in Durban in KwaZulu Natal and grew up in the Eastern Cape in Mthatha, before moving back to Durban to study music at Natal Tech where he majored in Jazz. His reason for studying music was because he felt that as a producer, he had to deepen his overall musical knowledge, develop his listening skills and advance his knowledge of music theory. Leaving Tech prior to completion of his studies, Black Coffee with two friends Thandukwazi "Demor" Sikhosana and Mnqobi "Shota" Mdabe worked as backup vocalists for the renowned Madala Kunene. Deciding then to form an urban soul trio "Shana" the three moved to Johannesburg to make their way.

Keeping 'Simply hot and naturally African' (the meaning of 'Shana') together as an ongoing project, the three also pursued their individual visions, collaborating on the way.

Black Coffee was chosen as one of two South African participants in the Red Bull Music Academy in 2003 jump-starting him into the South African DJ scene - a decision he says he has never looked back on. His first big break was when his song "Happiness" was featured on the DJs at Work album.

2005, the same year as the release of Black Coffee's powerful debut album 'Black Coffee' saw the birth and formation of Soulistic Music, Black Coffee's wholly owned 360° corporate structure, his team's home base and the jump-off point for himself, and as time has evidenced for many others too.

Black Coffee revealed that his first album was created using very basic music-making software. "I don't know how to explain the production stages of my album because all I did was put down the basic ideas that I had, I didn't use any MIDI controllers everything was played with a computer mouse. He added that the use of live instruments in a song is also very important, giving a track that final magic touch and bringing it to life.

A view through the Black Coffee 'lens', at the end of 2011, confirms a delightful, fresh and truly heart warming vista of dynamic and exciting creative production, glimpses of a genius unfolding and degree's of difficulty, challenge and hardship.

To many Black Coffee has led the 'house music' way.. establishing since a global pre-eminence in vocal house music.. and a business approach structured to unlock the plethora of opportunities offered by a converged digital realm driven by the songs and their performance.

Reserved, studiously academic, inventive, imaginative, quiet, enigmatic, shy and bold are but of the few ways in which many across the world perceive Black Coffee. No matter how he is seen he remains one of the very few club DJs in the country who genuinely understands the precise function of a music deejay: he does not simply re-mix songs, he re-interprets their previously unimagined musical possibilities, adapting and arranging as each work advises and quietly creating new works that give life. When he debuted with his interpretation of Hugh Masekela's rambunctious jazz hit Stimela (2005 original South African release, 2008 UK release), Black Coffee simply demonstrated how it was possible to re-work the South African canon music vault into club music, creating works that were acceptable to both the youth and the old, a feat not easily achievable. It has required a decidedly original-inclined, singular mind such as that of Black Coffee to be able to pursue this kinf of music trajectory and the gold and platinum awards since are testimony to his resolve .

2007 brought another powerful Black Coffee release "Have Another One" which featured amongst others a host of great female vocalists, both young and old.. with Bucie, Siphokhazi and Busi Mhlongo at the helm of an array of original works. With world demand and interest in a Black Coffee performance starting to stand up and shout so to speak, Black Coffee began a new phase of growth in 2008 with a string of new Soulistic Music signed releases from Culoe de Song, Tumelo and the great Zakes Bantwini all achieving gold and platinum sales.

In 2009 Black Coffee dropped his third offering, titled ''Home Brewed'', featuring Ringo Madlingozi, Zonke, Hugh Masekela, Zakes Bantwini and others, and at the South African Music Awards 2010 he scooped two awards in the categories Best Urban Dance Album and Best Male Artist.

Highlights during 2011 included a nomination for the 2011 MTV Europe Africa, India and Middle East Category for the Worldwide Act, the launch of Africa Rising and its first presentation (which included a 24-piece orchestra along with a band and featured artists performing Black Coffee's works) at Moses Mabhida Stadium and the four releases on the Soulistic Label including Culoe de Song's "Elevation", Sai & Ribatones "Here and Now", Boddhi Satva's "Invocation" and the label's "Soulistic Cuts".

Over the past five years, Soulistic Music under Black Coffee's leadership has built a worldwide network of exclusive track licenses, tours and agents giving Black Coffee and other Soulistic Music artists their real break into the international touring market where they have become regular features in cities from Sydney to New York, Sao Paulo to Luanda and Los Angeles to Athens.

There is no question that from family, to community, to clan, to culture, to country.. to the world.. all are blessed by the productivity of such great creative genius as is Black Coffee.


Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He co-founded both Ghostly International and its dancefloor offshoot, Spectral Sound. He's had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he's made mixes for Get Physical's Body Language and the Fabric mix series. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he's just hitting his stride.

Matthew Dear's 2003 full-length debut, Leave Luck to Heaven, is a suite of sparse, wickedly funky house laced with Dear's deep, distinctive vocals, and includes the much-loved single "Dog Days" (voted one of Pitchfork's Top 100 Songs of the Decade). The record was met with rapturous acclaim from both the dance-music establishment and the critical press, including a four-star review in Rolling Stone. The 2007 follow-up, Asa Breed, is a considerable departure from Heaven's dancefloor excursions, incorporating the polyrhythms of Afrobeat, the irreverent pop sensibilities of Brian Eno, and the austere beauty of Krautrock. More four-stars reviews followed (Q and Mojo magazines), and Dear subsequently began touring with a live three-piece band, Matthew Dear's Big Hands, in which Dear acted as frontman, commanding the stage with a Bryan Ferry-like swagger and a gentleman's grace.

Today, Matthew Dear finds himself in a unique position. His highly anticipated third album, 2010's Black City, is the culmination of years of hard work and experimentation, a darkly playful sound-world that envelops the listener like the arms of a malevolent lover. After over a decade of exploring pop's outer limits, Matthew Dear now inhabits a rarefied corner of the musical universe: no longer tethered to any one genre, respected by his peers, and blessed with a bottomless well of creative energy. Now is Matthew Dear's moment, and it sounds like nothing else.


Musically talented and inspired by classical minimalism, such as the works of Philip Glass and Steve Reich, has launched into the underground with his much-­?anticipated release Cubism, released on August 14th, 2014, on Dubfire’s international label – Sci+Tec.
Following the release of Cubism, Kevin made his debut on refused.
-­? A fresh new techno label curated by Justin James (Minus), with the release of his EP Capsule on September 2, 2014.
At 21, Miami based, and both producer & DJ, Kevin has found his niche in making music that’s forward thinking – engaging listeners
into a vortex of his productions. With sizzling basslines, stomping bass, and infectious groove, Kevin’s imprint onthe scene will not go unnoticed. Hailing support from heavy weights such as Kevin Saunderson and Dubfire, has left Kevin humble yet ambitious, to create music that touches the soul. Receiving respect and gratitude from peers and mentors, is part of the motivation in his productions.
Techno has a language, and Kevin speaks it. With releases on KMS Records, Sci+Tec, and refused., Kevin Castro is a new name to be reckoned with, in the underground scene.


After making a name for himself promoting artists and nightclubs in his native Italy, Nicola Zanatta, almost on a whim, decided to leave it all behind. A trip to New York City in 2004 was all it took.
Underground parties deep in Brooklyn introduced him to a whole new world deep in New York's musical underbelly and it wasn’t long before he merged his newly acquired taste for the dark and dirty with his more European house sensibilities.

His next move was to earn himself a spot behind the decks. He refined his newfound sound and managed to translate his skills into gigs in basements, then rooftops and eventually underground parties such as PART.

He now holds residencies at VERBOTEN BK and Provocateur NY
Beyond New York, he’s been invited to dj in Barcelona, Ibiza and Miami: and has played festivals such as BPM and Mysteryland; and most recently Robot Heart at Burning Man 2015.