About Redinho [Numbers], Lindsay Lowend
Redinho’s always been different. Debuting on Numbers in 2010, his Bare Blips EP showcased an artist with no desire to fit into the landscape of the time. Darting between styles and tempos across six tracks that drew from grime, hiphop, funk and more, the only constant on Bare Blips’ tracks was that they kicked back – or, at least, remained blissfully ignorant – of the 130bpm house that the rest of the UK was gravitating towards.
On his first album, Redinho finds the perfect solution to being out of step – creating his own world to fit into. Across 15 tracks, including acclaimed past singles ‘Searching’ and ‘Stay Together’, Redinho conjures up visions of the deep sea, deep space, notsodeep jacuzzi parties and everything between, binding them together into an aesthetic that’s both stylish and starryeyed. Drum machinedriven ‘80s funk is a key influence here, as it always has been with Redinho and Numbers, but where Redinho excels is how sublimely he combines it with other genres: the ‘hey’ chants and drum patterns of Atlanta hiphop on ‘Playing with Fire’, Detroit techno on ‘Shem’, the freeform dreamscapes of ‘Bubbles’, 707driven Chicago house on ‘Going Nowhere‘ and downtrodden electronica on ‘Say I Want You’.
It only takes a few tracks to realise that Redinho’s studied the ‘80s, and the sounds and dynamics that make that style work, but this is far from a throwback album. With a masterful modern sheen and links to contemporary pop and hiphop, it’s hard to imagine it being released any time but now.
What do you get when you mix bass music with jazz fusion and a Super Nintendo? Meet Lindsay Lowend, a 20-year old bass music prodigy from Washington, D.C. Describing his sound as "neon music", this young artist is largely inspired by video games such as Dance Dance Revolution and Beatmania IIDX. His production methods prove to be just as interesting which stem from the demoscene/tracker music scene. While extremely computer and programming driven, each of the tracks on his debut EP pack an enormous amount of soul and depth. He has built his own unique soundscape of bright synthesizers, chords, and melodies overtop very rhythmic and often times unpredictable beats.
On his first album, Redinho finds the perfect solution to being out of step – creating his own world to fit into. Across 15 tracks, including acclaimed past singles ‘Searching’ and ‘Stay Together’, Redinho conjures up visions of the deep sea, deep space, notsodeep jacuzzi parties and everything between, binding them together into an aesthetic that’s both stylish and starryeyed. Drum machinedriven ‘80s funk is a key influence here, as it always has been with Redinho and Numbers, but where Redinho excels is how sublimely he combines it with other genres: the ‘hey’ chants and drum patterns of Atlanta hiphop on ‘Playing with Fire’, Detroit techno on ‘Shem’, the freeform dreamscapes of ‘Bubbles’, 707driven Chicago house on ‘Going Nowhere‘ and downtrodden electronica on ‘Say I Want You’.
It only takes a few tracks to realise that Redinho’s studied the ‘80s, and the sounds and dynamics that make that style work, but this is far from a throwback album. With a masterful modern sheen and links to contemporary pop and hiphop, it’s hard to imagine it being released any time but now.
What do you get when you mix bass music with jazz fusion and a Super Nintendo? Meet Lindsay Lowend, a 20-year old bass music prodigy from Washington, D.C. Describing his sound as "neon music", this young artist is largely inspired by video games such as Dance Dance Revolution and Beatmania IIDX. His production methods prove to be just as interesting which stem from the demoscene/tracker music scene. While extremely computer and programming driven, each of the tracks on his debut EP pack an enormous amount of soul and depth. He has built his own unique soundscape of bright synthesizers, chords, and melodies overtop very rhythmic and often times unpredictable beats.
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