About Rebecca Loebe, Bettysoo
Rebecca is a young singer-songwriter who grew up in Atlanta and has done time in DC, Boston and New York, now making her home in Austin, TX. She is known for her distinct voice, well-crafted songs and ability to bring an audience to her journeys, introducing them to the characters she meets and observations she makes as she travels. Rebecca has toured non-stop since 2009, averaging 150-200 shows per year as a headliner and as support for The Civil Wars, Ellis Paul, Mary Chapin Carpenter, Nicki Bluhm and the Gramblers, Matt the Electrician and others.
Rebecca's live performances have created a passionate fan base around the world. In 2014 she performed in 35 states of the US, Canada, Europe and Japan and was tapped by Goose Creek Records to record and produce 3 Nights Live and Rebecca Loebe Live, her first official live concert releases. Rebecca has won numerous awards for her songwriting, including the prestigious Kerrville New Folk Award, and has received recognition for her unique, powerful voice. In 2011 she was a featured contestant on the first season of "The Voice US," winning a spot on Team Adam and an iTunes Top 10 single worldwide with her captivating re-imagination of Nirvana's "Come As You Are." Earlier this year she was ranked #9 on Alternate Root magazine's annual listing of the 30 Best Female Singers in America.
More information, videos, tour dates and other fun stuff at www.rebeccaloebe.com
A lot happens in five years. During the five years since her last album of original material, BettySoo zigzagged her way across the North American and European continents more than a few times. Mostly, she toured. Every other minute, she was flying to visit best friends in rehab, driving for days with friends whose family lives were crumbling, visiting mental hospitals, going to houses and cleaning kitchens and bathrooms when friends had no will left to do it themselves.
As an insomniac and someone who understands depression from her own life-long struggle, maybe she was exactly where she and her friends needed her to be: in the thick of it, reminded of how fragile the balancing act can be for people like herself whose mental health isn't solid as a rock. And perhaps she did exactly what she needed to do: she wrote dozens of songs – capturing those seemingly endless moments of grief, loneliness, and loss, and those fleeting moments of joy and love – and she recorded twelve of those songs on her new album When We're Gone.
Produced together with Brian Standefer at his studio in Buda, Texas, When We're Gone is an intimate look into private spaces in life. Wall-hung sinks ("The Things She Left Town With"), cluttered floorboards ("Josephine"), packed suitcases at the door ("Hold Tight"), and crumpled clothing at a young girl's feet ("Summertime") – these are the furniture for the setting, but center stage is BettySoo's voice, her melodies, and the unmistakable texture of Brian's cello.
BettySoo and Standefer performed the bulk of the record themselves, layering cello on cello, voices on voices, guitars on guitars, and piano whenever it begged to be played, but the album also features several of their closest friends (who happen to be some of Texas' finest players): Glenn Fukunaga on bass, Dave Terry and Rick Richards on drums and percussion, Joey Colarusso on clarinet and flute ("Lullaby"), Will Sexton on guitar ("The Things She Left Town With," "Summertime"), and Lloyd Maines on pedal steel ("Last Night").
Previous albums have garnered successively greater and numerous positive reviews. The Austin American-Statesman says BettySoo has "exceptionally well-arranged songs, as easily equal in precision to, say, Patty Griffin or Alison Krauss…a confidence that speaks volumes," and KUT praises her "beautiful, heart-wrenching songs that are also edgy and unwavering." BettySoo's last album, Heat Sin Water Skin, received a great deal of radio airplay, including spins at influential Non-Comm/Triple A stations WFUV, KUT, WXPN, KGSR, KDRP and SiriusXM's The Loft.
When We're Gone builds on this previous success, brimming with what feels like new-found confidence and strength. Perhaps all the shared brokenness from the past five years is paying its dividends.
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