About Hannah vs. The Many, Haley Bowery and the Manimals
Hannah vs. The Many consists of Brooklyn singer/songwriter/antiheroine Hannah Fairchild and some of the more musically inclined members of her beloved urban family.
Hannah originally moved to New York City expecting to find work and meaning in the city's seedy underground indie musical theater community, which, as it turns out, doesn't actually exist. After two years of being rejected by every possible elementary school tour, Hannah said "fuck this" and started writing her own material.
Her lyrics are rooted in her musical theater background, with acerbic, rapid-fire observations that reflect her childhood obsession with Stephen Sondheim. Musically, she bends genres at will, blending influences from Kate Bush to The Replacements to Leslie Gore. Hannah's songs tell stories of heartbreak, hook-ups, drunken victories, narrow escapes, and all the other "pretty little tragedies" that come with being young and broke in the greatest city in the world.
Hannah recorded her first album Paper Kingdoms alone in her apartment, while recovering from a broken ankle and a long string of terrible choices (they know who they are). Weary of belting solo, Hannah began gathering some talented and like-minded friends and playing with them at venues around the city. Her second album, All Our Heroes Drank Here recorded at Brooklyn's Royal Drag Studios, was released January 17th, 2012.
NYC post-glam/powerpop band Haley Bowery & the Manimals stands out in the oversaturated rock scene with their deeply felt, personal lyrics and memorable hooks. Haley's voice is authentic and expressive, electric with raw emotionality, begging comparison to Chrissie Hynde and Joan Jett. A vision in false eyelashes and high heels, she is one part girly-girl and two parts Brooklyn badass, a punk rock spirit indelibly shaped by the great writers of folk and American standards. On a dime she can channel Courtney Love at her most aggressive or Regina Spektor at her most intimate, but her love of language is always unmistakable. Among her influences, she counts Liz Phair, Patti Smith, Bruce Springsteen, The Pretenders, No Doubt, Blondie and The Breeders.
Haley released her debut EP as a solo artist, Side of the Hill, in March 2011. Following the release, she toured North America for two months with singer-songwriter Matthew Pop, playing her songs solo and acoustic. She is now back in New York, performing with her band, The Manimals- and is starting to get noticed for her ferocious stage presence and the explosive, wild live experience she shares with her audience at every show. At a Haley Bowery & the Manimals show, you can expect costume changes, whiskey swilling, profanity-laden crowd baiting, and a serious throwback to the energy and thrill of 70s-era CBGBs. The band recently completed recording their first full-length album, Born Strange, at The Brewery Recording Studio in Brooklyn. It will be released in June 2012.
Hannah originally moved to New York City expecting to find work and meaning in the city's seedy underground indie musical theater community, which, as it turns out, doesn't actually exist. After two years of being rejected by every possible elementary school tour, Hannah said "fuck this" and started writing her own material.
Her lyrics are rooted in her musical theater background, with acerbic, rapid-fire observations that reflect her childhood obsession with Stephen Sondheim. Musically, she bends genres at will, blending influences from Kate Bush to The Replacements to Leslie Gore. Hannah's songs tell stories of heartbreak, hook-ups, drunken victories, narrow escapes, and all the other "pretty little tragedies" that come with being young and broke in the greatest city in the world.
Hannah recorded her first album Paper Kingdoms alone in her apartment, while recovering from a broken ankle and a long string of terrible choices (they know who they are). Weary of belting solo, Hannah began gathering some talented and like-minded friends and playing with them at venues around the city. Her second album, All Our Heroes Drank Here recorded at Brooklyn's Royal Drag Studios, was released January 17th, 2012.
NYC post-glam/powerpop band Haley Bowery & the Manimals stands out in the oversaturated rock scene with their deeply felt, personal lyrics and memorable hooks. Haley's voice is authentic and expressive, electric with raw emotionality, begging comparison to Chrissie Hynde and Joan Jett. A vision in false eyelashes and high heels, she is one part girly-girl and two parts Brooklyn badass, a punk rock spirit indelibly shaped by the great writers of folk and American standards. On a dime she can channel Courtney Love at her most aggressive or Regina Spektor at her most intimate, but her love of language is always unmistakable. Among her influences, she counts Liz Phair, Patti Smith, Bruce Springsteen, The Pretenders, No Doubt, Blondie and The Breeders.
Haley released her debut EP as a solo artist, Side of the Hill, in March 2011. Following the release, she toured North America for two months with singer-songwriter Matthew Pop, playing her songs solo and acoustic. She is now back in New York, performing with her band, The Manimals- and is starting to get noticed for her ferocious stage presence and the explosive, wild live experience she shares with her audience at every show. At a Haley Bowery & the Manimals show, you can expect costume changes, whiskey swilling, profanity-laden crowd baiting, and a serious throwback to the energy and thrill of 70s-era CBGBs. The band recently completed recording their first full-length album, Born Strange, at The Brewery Recording Studio in Brooklyn. It will be released in June 2012.
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