Deep Space | Dimitri From Paris, François K

As the French Ambassador of stylish club sounds, Dimitri from Paris is everything his nation could be proud of: a DJ, producer, and remixer of the highest standard, and a stylish snake-hipped pin-up with French reserve. In a nutshell, there are two distinct sides to Dimitri: a undeniable elegant and, a devoted dance music fanatic.
In February 2005 the French government awarded him the very official rank of Knight of the Arts and Letters. Along with Air and Cassius he was the first artist from the Electronica field to be given such a distinction.
His musical influences are deeply rooted in 70s Funk and Disco sounds that spawned todays House music but also original soundtracks from 50's and 60's cult movies.
His radio show in the 80’s came to pioneer house music all over France, making him a cult figure with dance music connoisseurs.
Dimitri remixed hundreds of artistd as diverse Björk, the Cardigans, James Brown, New Order, Quincy Jones, Teddy Pendergrass, Nile Rogers’ Chic, Michael Jackson, Diana Ross, Harold Melvin & The Blue Notes and Donny Hathaway. In 1997 he became world famous with the release of his first album "Sacrebleu" on Bob Sinclar's Yellow Productions label. In the late 90's Dimitri followed the album's success with several compilations including the cult "Deluxe House of Funk" and the infamous "A Night At The Playboy Mansion" (Virgin) lately charted again in Mixmag's top 100 of best compilations ever. A second artist album, "Cruising Attitude" was released in 2004 to be closely followed by his first outing on UK's premier dance music label Defected: "Dimitri from Paris In the House".
2005 saw Dimitri go back to his Funk and Disco roots, with fellow super collector Joey Negro for "Kings of Disco" (BBE). In 2006 he offered his "In the House of Love" outing to Valentine Day's lovers. Later on he produced Los Amigos Invisibles "Super Pop Venezuela" album which grabbed a nomination for a grammy award ! 2007 saw the release of the "Cocktail Disco” (BBE), 2008 marked the frenchman's "Return to the Playboy Mansion" (Defected) with a lush double CD of sex tinged grooves, and in 2009, Dimitri returned to his early DJ days with "NightDubbin'" (BBE) a fresh collection of 80's dubbed out dance classics with help from old mates The Idjut Boys. Dimitri then partnered with DJ Bob Sinclar on the "Knights Of The Playboy Mansion" compilation project with Defected, and then created "Back In The House" again with the ever growing Defected imprit. Over the course of his 15 year spanning discography our man from Paris has sold well over a million copies of his eclectic outings.


Only Frankie Knuckles can lay claim to straddling a longer span of time in the thick of dance music than François Kevorkian. And though his name is no more than vaguely familiar to many dance fans, Kevorkian's influence is immense. Beginning with his production work for the crucial disco label Prelude during the late '70s and extending through an immense quantity of remixes and productions for legions of pop bands during the following decade, few producers did more to mechanize and refine the disco template into music clearly recognizable as house. After moving from his native France to New York City in the mid-'70s, Kevorkian learned the art of mixing from the era's most influential DJs (Walter Gibbons, Jellybean, Larry Levan). He began producing early reel-to-reel cut-ups, patterned on dub techniques, which pushed bouts of much-needed experimentalism into disco. He then brought the dance treatment to scores of alternative bands and pop stars who needed it during the '80s and '90s. Unfortunately, Kevorkian never spent as much time on his own productions, releasing very few singles though he helmed his own imprint, Wave Records.

Born in Rodez, France in the mid-'50s, Kevorkian grew up in the suburbs of Paris, playing drums in several bands while studying biochemical engineering and pharmacy in college. After deciding to chuck in his studies, he moved to New York and began playing with any pick-up bands he could find. His first important work in the club scene came when Kevorkian took a part-time gig at the club Galaxy 21, providing live fill-in drums for the DJ, Walter Gibbons. Though the club later closed, Kevorkian moved on to another named Experiment Four and became friends with its resident, Jellybean Benitez.

Kevorkian soon began producing his own tracks after he learned that Benitez owned a four-track reel-to-reel machine. Hoping to warp tracks for maximum dancefloor consumption, Kevorkian recorded dub-inspired cut-and-paste megamixes with splice and edit techniques, even adding special effects gained from movies and other sources. (One of his first productions, a version of "Happy Song and Dance" by Rare Earth, was a New York club staple for years afterward.) In mid-1977, he started DJing at a club known as New York, New York -- the premiere disco spot after Studio 54. While working there, Kevorkian met DJ legend Larry Levan and the two became fast friends. After Kevorkian was tapped for an A&R position at the disco label Prelude, he began working at the label's studios with Levan, creating mixes for the West End and Salsoul imprints as well as Prelude. Kevorkian's mix for Musique's 1978 single "Push Push (In the Bush)" went gold -- despite an obvious lack of chart action -- and his productions for another Prelude act, D-Train, resulted in additional club hits like "You're the One for Me," "Music," and "Keep On."

A talent for studio mixing and his requisite dancefloor credentials made François Kevorkian one of the most in-demand producers during the '80s. An increased momentum during the decade for general dance music pushed labels to request special nightclub versions of pop songs for the dance crowd, and Kevorkian obliged hundreds of times, for such groups as Yaz, the Smiths, Depeche Mode, Diana Ross, Adam Ant, U2, Kraftwerk, Matthew Sweet, the Pet Shop Boys, Thomas Dolby, Ashford & Simpson, and Erasure, among many others. In 1987, he founded Axis Studios as well, which provided a home for recordings by Madonna, C+C Music Factory, Mariah Carey, and Deee-Lite.

Essential Mix Given his busy studio schedule, it's no wonder Kevorkian neglected his DJing during most of the '80s. He returned to form in 1990, and traveled to Japan with Larry Levan for several high-profile gigs. Kevorkian became a label owner himself in the '90s; his Wave imprint provided a home for several of his own productions, including 1997's pioneering FK-EP. The best document of his DJing skills, Essential Mix, appeared in 2000.