Danny Tenaglia Birthday Bash w/ Danny Tenaglia/ Rob Sperte at Output and Gregorio/ Nikola Baytala​ in the Panther Room

Since the release of his debut album Hard & Soul in 1995, and his subsequent beat-mixed dance compilations, such as, Mix This Pussy, Can Your Pussy Do The Dog?, Gag Me with a Tune, and Color Me Danny, the DJ-remixer-producer has traveled the Globe performing for audiences everywhere.

Danny Tenaglia was born in Brooklyn, New York, where he stayed until his move in 1985 to Miami, Florida. Danny's first gigs in New York include the Roller Palace, on of the first roller discos in Brooklyn, Stix and Crisco Disco. In Florida, Danny was a resident DJ at Cheers.

Several years later Danny made the move back to New York, where he currently lives.

Aside from DJing Danny has remixed and produced over 200 songs, including those which he worked on with Madonna, Janet Jackson, Grace Jones, Kim Mazelle, Bette Middler, Cher, Pet Shop Boys, and Blondie.

Danny can now be found back in New York playing some of the most popular spots in the city, including his monthly gig at Vinyl.

After the Close of Vinyl, Danny continues to spin, remix and create everlasting sound that influences the crowd. Danny is currently touring the globe and with his latest release in 2008 "SPACE", will continue to prove his legacy as NYC best DJ.





DJ Nikola Baytala has become a crucial component of the minimal-techno collective known as Kontrol. But don't typecast him as a one-dimensional droid with a M-nus Records logo tattoo. He's been exploring the upper echelons of the techno/house continuum since the early '90s (including the last 10 years at The Top, a weekly event hosted by S.W.A.T., aka Special Weapons and Tactics), gaining a reputation as a DJ's DJ, with acclaim coming from house-music legends like Derrick Carter and Doc Martin. Moreover, Baytala's list of musical influences and loves is vast, eclectic, and impeccable. The following roll call just scratches the surface: dub/reggae (Lee "Scratch" Perry), jazz (Pharoah Sanders), world (Ravi Shankar, Mulatu Astatke), funk (Cymande), soul (Bill Withers), hiphop (Gang Starr), Krautrock (Can), electro (Egyptian Lover, Kraftwerk), disco (DJ Harvey), Latin (Tito Puente), soundtrack/new age (Vangelis), rock (Steely Dan), post-punk (ESG, Liquid Liquid), and post-rock (Outhud). As for his bread and butter, Baytala similarly displays excellent judgment, with a heavy preference for quality-pushers like Jeff Mills, Gas, Monolake, Robert Hood, Theo Parrish, and Mr. Fingers. When you see a DJ possess such wide-ranging, outstanding taste, it instills confidence that he/she will rarely, if ever, veer into wackness. Baytala clearly has put many hours of study into his craft, and it's paid off with smooth mixes and world-class track selection. Besides his formidable technical skills and profound knowledge, Baytala reportedly exudes a lot of personality and passion behind the decks, which must have served him well while opening for acts like Jane's Addiction. Everything I've heard by Baytala suggests that his sets avoid the supposed pitfalls of minimal dance music. They're kinetic, dynamic, and, of course, cheese-free. I can't believe I've only just recently found out about this mensch.